Old Product Before The Internet: Rolleiflex

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Reviews

I won’t be in the twilight years of my life leafing through commercial headshots, strangers’ weddings or annual reports. I’ll be reliving memories from my daughter’s childhood, our family travel. Friends and relatives no longer with us. The many happy years of our marriage. Everything else is just noise.
All in all… it is a really well built 127 format film camera and as the
name “Automatic Rolleiflex 4×4” suggests, it produces 4x4cm frames (the
so-called Superslide format). If you do decide to try one it would be
good to budget for a CLA, the shutter on mine was sticking at slower
speeds when I got it. Plus also, if you don’t wany to fiddle with
slitting your own 127 and using your old backing paper, the film is
still out there, but pricey and the pickings are slim.
I have owned and sold a fair number of these cameras during the last 40
years, and every time I let them go I am left with This year I got to
purchase a nice example of a 60’s-built Rolleiflex 3.5E with a 75 mm
3.5f lens and a busted light meter ,just a minor niggle since I own two
hand-held meters. I think that I will never cease owning and using these
magnificent TLRs as long as I live. Shooting square format is quite
challenging, but I always took forward to the challenge with a
Rolleiflex in hand.
My Rolleiflex 2.8C indeed looks, feels and performs like one of
history’s most iconic cameras, with one of the most revered lenses. If,
like me, you take a visceral delight in the feel, sound and performance
of exquisitely made equipment, if you revel in the quirks of a figuring
out a nearly 70-year-old manual camera, and if you just flat-out think
it’s the coolest goddamn thing you’ve ever seen in your life, I couldn’t
recommend it more. I love this camera in a way I love few other
inanimate objects. I got a pretty good deal on mine—$300 purchase price,
$140 for some touch-up repair—so keep tracking your preferred online
marketplaces. You might luck out like I did.